Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提到荷马的'骄傲的领域'时,他指的是史诗。"
Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提到荷马的'骄傲的领域'时,他指的是史诗。"
Epic poetry and Tragedy, as also Comedy, Dithyrambic poetry, and most flute-playing and lyre-playing, are all, viewed as a whole, modes of imitation.
史诗、、
、酒神颂以及绝
部分笛子和竖琴
被总体上看成模仿的方式。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提到荷马'骄傲
领域'
,
是史诗。"
Epic poetry and Tragedy, as also Comedy, Dithyrambic poetry, and most flute-playing and lyre-playing, are all, viewed as a whole, modes of imitation.
史诗、悲剧、喜剧、酒神颂以及绝部分笛子和竖琴演奏都被总体上看成
方式。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件观点;若发现问题,欢迎向我们
正。
Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提到'骄傲
领域'时,他指
是史诗。"
Epic poetry and Tragedy, as also Comedy, Dithyrambic poetry, and most flute-playing and lyre-playing, are all, viewed as a whole, modes of imitation.
史诗、悲剧、喜剧、酒神颂以及绝部分笛子和竖琴演奏都被总体
看成模仿
方式。
声明:以、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件
观点;若发现问题,欢迎向我们指正。
Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提到荷马的'骄傲的领域'时,他指的是史诗。"
Epic poetry and Tragedy, as also Comedy, Dithyrambic poetry, and most flute-playing and lyre-playing, are all, viewed as a whole, modes of imitation.
史诗、悲剧、喜剧、酒神绝
部
和竖琴演奏都被总体上看成模仿的方式。
声明:上例句、词性
类均由互联网资源自动生成,部
未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提的'骄傲的领域'时,他指的是史诗。"
Epic poetry and Tragedy, as also Comedy, Dithyrambic poetry, and most flute-playing and lyre-playing, are all, viewed as a whole, modes of imitation.
史诗、悲剧、喜剧、酒神颂以及绝部分笛子和竖琴演奏都被总体上看成模仿的方式。
声明:以上、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提到荷马'骄
域'时,他指
是史诗。"
Epic poetry and Tragedy, as also Comedy, Dithyrambic poetry, and most flute-playing and lyre-playing, are all, viewed as a whole, modes of imitation.
史诗、悲剧、喜剧、酒神颂以及绝部分笛子和竖琴演奏都被总体上看成模仿
方
。
:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件
观点;若发现问题,欢迎向我们指正。
Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提到荷马的'骄傲的领域'时,他指的是史诗。"
Epic poetry and Tragedy, as also Comedy, Dithyrambic poetry, and most flute-playing and lyre-playing, are all, viewed as a whole, modes of imitation.
史诗、悲剧、喜剧、酒神颂以及绝部分笛子和竖琴演奏都被总体上看成模仿的方式。
声明:以上例句、词性分类均由互联自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提到荷马'骄傲
领域'时,他指
诗。"
Epic poetry and Tragedy, as also Comedy, Dithyrambic poetry, and most flute-playing and lyre-playing, are all, viewed as a whole, modes of imitation.
诗、悲剧、喜剧、酒神颂以及绝
部分笛子和竖琴演奏都被总体
模仿
方式。
声明:以例句、词性分类均由互联网资源自动生
,部分未经过人工审核,其表达内容亦不代表本软件
观点;若发现问题,欢迎向我们指正。
Keats is referring to epic poetry when he mentions Homer's 'proud demesne'.
"当济慈提到荷马的'骄傲的领域'时,他指的是史诗。"
Epic poetry and Tragedy, as also Comedy, Dithyrambic poetry, and most flute-playing and lyre-playing, are all, viewed as a whole, modes of imitation.
史诗、悲剧、喜剧、酒神颂以及绝部分笛子和竖琴演奏都被总体上看成模仿的方式。
声明:以上例句、词性分类均由互联自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。